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X-WR-CALDESC:Events for Publishing Professionals Network
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DTSTART:20210314T100000
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DTSTART;VALUE=DATE:20221206
DTEND;VALUE=DATE:20230301
DTSTAMP:20260414T100638
CREATED:20221206T201606Z
LAST-MODIFIED:20230224T175213Z
UID:10000416-1670284800-1677628799@pubpronetwork.org
SUMMARY:The Perfect Binding: pre-recorded workshop
DESCRIPTION:The Book Arts Program at the University of Utah has a pre-recorded workshop available for purchase for those interested in learning about perfect binding. \nLooking for a simple way to bind single sheets or folios? This workshop presents the perfect solution: the perfect binding! Using a modified approach based on machine binding processes for commercial paperbacks\, the instructor guides participants through the construction of a perfect-bound book. A materials kit is provided for a single book and participants are advised on tools to gather or purchase. Leave with a perfect book and the ability to continue the practice. \nThe cost includes materials kit & shipping. This fee is non-refundable and is required in order to receive the recording and materials kit.  \nPLEASE NOTE: International shipping will be billed an additional $25 once registration is confirmed.
URL:https://pubpronetwork.org/event/the-perfect-binding-pre-recorded-workshop/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Bookbinders,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230109
DTEND;VALUE=DATE:20230307
DTSTAMP:20260414T100638
CREATED:20230303T221340Z
LAST-MODIFIED:20230303T221341Z
UID:10000534-1673222400-1678147199@pubpronetwork.org
SUMMARY:Call for Entries | Bound and Unbound 7: Altered Book Exhibition International Juried Exhibition
DESCRIPTION:HOSTED BY THE ART AND EXHIBITS COMMITTEE\, UNIVERSITY LIBRARIES\, UNIVERSITY OF SOUTH DAKOTA\nJANUARY 9\, 2023 – MARCH 6\, 2023 Call for entries\nAPRIL 3\, 2023 Juror notification sent\nJUNE 12 – JUNE 30\, 2023 Works delivered to University Libraries\nAUGUST 21\, 2023 – JANUARY 3\, 2024 Bound and Unbound 7: Altered Book Exhibition\nJANUARY 10\, 2024 Works returned \nSUBMISSION \nEntry is open to all. Entry is free. Artists may submit up to three works for consideration. Artists may submit either a CD or electronic files (attached to the online project form http://libguides.usd.edu/BU7)  with one image per piece. Images should not be greater than 3 MB each. Submitted application materials will not be returned.
URL:https://pubpronetwork.org/event/call-for-entries-bound-and-unbound-7-altered-book-exhibition-international-juried-exhibition/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230111T000000
DTEND;TZID=America/Los_Angeles:20230607T140000
DTSTAMP:20260414T100638
CREATED:20221209T175251Z
LAST-MODIFIED:20230224T175309Z
UID:10000440-1673395200-1686146400@pubpronetwork.org
SUMMARY:Six Month Short Story Intensive
DESCRIPTION:with Margaret Malone \nThis class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories and familiarity with the elements of literary short fiction including scene\, character\, conflict\, place\, and revision. We will study individual stories by authors\, read craft essays\, and discuss several published collections and how the stories unite to form a book. \nAccess Program\nWe want our classes to be accessible to everyone\, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available.
URL:https://pubpronetwork.org/event/six-month-short-story-intensive/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230114T100000
DTEND;TZID=America/Los_Angeles:20230218T120000
DTSTAMP:20260414T100638
CREATED:20221209T175535Z
LAST-MODIFIED:20221209T175536Z
UID:10000441-1673690400-1676721600@pubpronetwork.org
SUMMARY:Mastering the Short Story
DESCRIPTION:with Radhika Sharma \nIn this intensive workshop\, students will write and revise their short stories focusing on craft elements such as characters\, voice\, subtext\, and story structure. At the end of the six weeks\, students will have created a dossier of up to 20 pages of new work and received detailed feedback from the instructor. \nAccess Program\nWe want our classes to be accessible to everyone\, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available.
URL:https://pubpronetwork.org/event/mastering-the-short-story/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230120T120000
DTEND;TZID=America/Los_Angeles:20230602T140000
DTSTAMP:20260414T100638
CREATED:20221209T175847Z
LAST-MODIFIED:20230224T175251Z
UID:10000442-1674216000-1685714400@pubpronetwork.org
SUMMARY:Six Month Screenwriting Intensive
DESCRIPTION:with James Napoli \nThe art and craft of writing for the screen is a skill that all authors would do well to have in their creative arsenals. On one level\, prose fiction\, memoir\, non-fiction\, all these forms have been\, and will continue to be\, sought out by the film industry as foundations for works in the visual storytelling realm. So\, writers who bring with them a full understanding of the techniques—and very specific considerations—that go into bringing screen stories to life are adding a valuable component to their career qualifications. \nPerhaps even more importantly\, being able to offer screenplays among one’s catalogue of written works could add a new and potentially profitable set of skills to an author’s toolkit. Getting a handle on how those in movies and TV tell their stories will enrich and inspire the creative process in unexpected and energizing ways. Putting that knowledge into practice lets a writer generate a tangible art form that augments and amplifies their body of work. \nThis course is designed to guide you through the foundational elements of screenwriting\, including structural\, stylistic\, and formatting archetypes that inform script creation\, as you proceed toward a rough first draft screenplay or television pilot as the culmination of our coursework. \nWe will delve into modern standards of story construction along with the ancient roots of the traditional three-act structure. These theory elements will always be combined with hands-on writing exercises (some assigned as homework\, others taking shape “improv” style within class time)\, reading and analyzing several produced scripts\, and peer critiquing of your fellow authors’ projects as they take shape during our journey. In addition to structure\, we will go deeply into character and dialogue\, the importance of research\, and the distinct demands of forging evocative\, economical descriptive passages in screenplays.
URL:https://pubpronetwork.org/event/six-month-screenwriting-intensive/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230121
DTEND;VALUE=DATE:20230222
DTSTAMP:20260414T100638
CREATED:20230201T171455Z
LAST-MODIFIED:20230201T171456Z
UID:10000500-1674259200-1677023999@pubpronetwork.org
SUMMARY:Call for Submissions | CBAA Book Arts Series 2023
DESCRIPTION:The College Book Art Association is excited to be continuing our series of on-line presentations and we are soliciting proposals for 2023. The deadline is February 28th. \n  \nPresentations can fall into one of three categories: \n§  Option A – Talking through the production process of one project / artist book \n§  Option B – Workshop / teach us how to do something \n§  Option C – Artist talk or Artist Collaboration \nWe are open to new and innovative ideas as we develop this program. Access to presentations will be available to members and non-members and will be publicized via CBAA social media and other list-serves. \n  \nPresenters will receive a stipend of $250.00. If there are multiple presenters\, they will split a $500 stipend. \n  \n2023 Proposals are due February 28 and those accepted will be notified by end of March. 2023 presentations will take place on Saturdays throughout the year. \n  \nTo submit a proposal\, please fill out the form HERE. Proposals will be assessed according to the clarity of intent\, innovation\, or creativity of content\, and whether it would appeal to our CBAA membership. Proposals that address issues of diversity and/or interdisciplinary qualities will be prioritized.
URL:https://pubpronetwork.org/event/call-for-submissions-cbaa-book-arts-series-2023/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230123T170000
DTEND;TZID=America/Los_Angeles:20230123T183000
DTSTAMP:20260414T100638
CREATED:20230104T214315Z
LAST-MODIFIED:20230104T214316Z
UID:10000452-1674493200-1674498600@pubpronetwork.org
SUMMARY:The Koran in English – From Yusuf Ali to Sandow Birk
DESCRIPTION:For millions of Muslims\, the Qur’an is sacred only in the original Arabic. Revealed to an Arab merchant Muhammad in 7th century Arabia\, it calls itself “an Arabic Qur’an”. At once lyrical and adamantine\, it resists translation into any other language. Yet scholars have tried to cross the barrier\, rendering it into numerous classical and modern languages\, including English. \nThe most adventuresome 20th century translator\, Yusuf ‘Ali\, a British civil servant in India\, even strove to make English itself an Islamic language\, while a recent American voyager—at once surfer and artist—Sandow Birk created an American Qur’an in the 21st century\, post 9/11. \nIn this talk\, Bruce Bennett Lawrence will connect to many translators but he especially prizes the link between Yusuf Ali and Sandow Birk. While Yusuf Ali wants to make English an Islamic language\, Sandow Birk hopes to make the Koran an American text/resource\, a compass for post-9/11 Americans. \nA virtual presentation by Bruce Bennett Lawrence\, author\, Marcus Family Humanities Professor of Religion Emeritus\, Duke University\, and adjunct professor at the Alliance of Civilizations Institute\, Ibn Haldun University\, Istanbul.
URL:https://pubpronetwork.org/event/the-koran-in-english-from-yusuf-ali-to-sandow-birk/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230125T120000
DTEND;TZID=America/Los_Angeles:20230125T140000
DTSTAMP:20260414T100638
CREATED:20230104T231151Z
LAST-MODIFIED:20230104T231153Z
UID:10000460-1674648000-1674655200@pubpronetwork.org
SUMMARY:Fête de Colette: The Intimate Worlds of Colette
DESCRIPTION:Translator Paul Eprile in conversation with biographer Judith Thurman\, moderated by writer and poet Zack Rogow\n\nAn online panel of internationally renowned translators and biographers discuss Colette’s recently reprinted classic novels\, Cheri and The End of Cheri. Cosponsored by The New York Review of Books and City Lights Booksellers & Publishers.
URL:https://pubpronetwork.org/event/fete-de-colette-the-intimate-worlds-of-colette/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230125T170000
DTEND;TZID=America/Los_Angeles:20230301T190000
DTSTAMP:20260414T100638
CREATED:20221209T180118Z
LAST-MODIFIED:20230224T175344Z
UID:10000443-1674666000-1677697200@pubpronetwork.org
SUMMARY:Experiments in Creativity
DESCRIPTION:with Coleman Stevenson \nIf you allow them to\, ideas for art and writing can come from absolutely anywhere. This creative generation class will put that theory to the test\, through a series of experiments in creative problem-solving\, spontaneous and chance-based play\, and other exploratory prompts that challenge you to work outside your normal modes and investigate how the creative brain works. \nPrior to the start of this series of classes\, each participant will receive a unique packet of random materials in the mail. In-class exercises and weekly assignments will ask you to work with these materials in various ways\, including an opportunity to create collaboratively at a distance. You’ll also keep a weekly journal detailing your personal process and ideas about creativity. \nAs support for this process\, we will read and discuss essays by artists and writers about the creative process. Creators working in any medium are welcome\, though you will be asked at times to cross genres. Also welcome is anyone who feels that they are “not a creative person.” This class will help you find the creative spark within. Materials fee includes all materials for class projects. \nPlease Note: We encourage you to register by January 10\, so that materials can be sent to arrive before the class begins. \nAccess Program\nWe want our writing classes and Delves to be accessible to everyone\, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and Delve tuitions at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available.
URL:https://pubpronetwork.org/event/experiments-in-creativity/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230126T160000
DTEND;TZID=America/Los_Angeles:20230126T170000
DTSTAMP:20260414T100638
CREATED:20230105T021538Z
LAST-MODIFIED:20230105T021539Z
UID:10000468-1674748800-1674752400@pubpronetwork.org
SUMMARY:Technical Editing Meetup
DESCRIPTION:Are you a technical editor\, or interested in learning about technical editing? Join a friendly discussion of editing in technical fields. \nThis event is free to attend and open to all editors.
URL:https://pubpronetwork.org/event/technical-editing-meetup/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Editors Events,Meet-up
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230126T173000
DTEND;TZID=America/Los_Angeles:20230413T193000
DTSTAMP:20260414T100638
CREATED:20221209T180406Z
LAST-MODIFIED:20230224T175412Z
UID:10000444-1674754200-1681414200@pubpronetwork.org
SUMMARY:Writing the Autofiction Novella: 12-week intensive
DESCRIPTION:with Frances Badalamenti \nAutofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course\, we will take a close look at the craft of autofiction. We will read novel excerpts\, short stories and novellas. We will also look at craft essays on the form. The goal over the twelve weeks is to work on a draft of a novella (if not a full draft\, then you will get a solid head start)\, which can be anywhere from 20K-40K words. \nThis course will be generative. You will be expected to write and submit a substantial amount of prose per week (1500-2500 words). We will read about 25 pages  of excerpts and craft essays each week and discuss them as a group. And there will be an ongoing discussion around goal setting and accountability with your fellow writers. This class is geared towards all levels of writers. Students will be expected to keep up with the weekly assignments (both reading and writing) and have a solid commitment to the process. \nExamples of (autofiction) writers that we will look at: Edouard Louis\, Karl Ove Knausgaard\, Ayah Akhtar\, Ben Lerner\, Zinzi Clemmons\, Garth Greenwell\, Sheila Heti\, Tao Lin\, Ocean Vuong\, Brandon Taylor and others.\n\nAccess Program\nWe want our classes to be accessible to everyone\, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available.
URL:https://pubpronetwork.org/event/writing-the-autofiction-novella-12-week-intensive/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230126T190000
DTEND;TZID=America/Los_Angeles:20230126T210000
DTSTAMP:20260414T100639
CREATED:20230104T231400Z
LAST-MODIFIED:20230104T231401Z
UID:10000461-1674759600-1674766800@pubpronetwork.org
SUMMARY:Fête de Colette: Solo Performance of Colette Uncensored
DESCRIPTION:Performed by Lorri Holt. Directed by David Ford and Jayne Wenger. Co-written by Zack Rogow\n\nA one-woman show about the amazing life of the French author Colette\, performed by Lorri Holt\, Directed by David Ford and Jayne Wenger\, Co-written by Zack Rogow. Cosponsored by the New York Review of Books and City Lights Booksellers & Publishers.
URL:https://pubpronetwork.org/event/fete-de-colette-solo-performance-of-colette-uncensored/
LOCATION:Mechanics’ Institute 
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230127T110000
DTEND;TZID=America/Los_Angeles:20230127T130000
DTSTAMP:20260414T100639
CREATED:20221209T181259Z
LAST-MODIFIED:20221209T181300Z
UID:10000448-1674817200-1674824400@pubpronetwork.org
SUMMARY:DPI Resume/Cover Letter Workshop
DESCRIPTION:Calling all publishers! What do you wish you had known when you first started your career? Make plans to join us for a session on Friday\, January 27 (11am PT) with students from the Denver Publishing Institute to give feedback on effective resumes\, cover letters\, and networking. Share your words of wisdom with people who are thrilled to be joining our one-of-a-kind industry!
URL:https://pubpronetwork.org/event/dpi-resume-cover-letter-workshop/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Meet-up,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230127T180000
DTEND;TZID=America/Los_Angeles:20230129T200000
DTSTAMP:20260414T100639
CREATED:20221209T180614Z
LAST-MODIFIED:20221209T180615Z
UID:10000445-1674842400-1675022400@pubpronetwork.org
SUMMARY:Grief\, Lyrically
DESCRIPTION:with Wendy Noonan \nWriters often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music\, rhythm\, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading\, conversation\,and various prompts and exercises to catalyze memory and thinking. We will consider how writers crafting stories and poetry about grief use lyricism\, discursiveness\, fragmentation\, and silence to embody writing content through form. Participants should be prepared to write a lot! Prompts and exercises will allow students to access various parts of memory. In a short period of time\, we will get to know one another and provide a sounding board for our stories in a safe space. \nAccess Program\nWe want our classes to be accessible to everyone\, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available.
URL:https://pubpronetwork.org/event/grief-lyrically/
LOCATION:Zoom\, CA\, United States
CATEGORIES:Author Events,Professional Development
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230128
DTEND;VALUE=DATE:20230320
DTSTAMP:20260414T100639
CREATED:20230201T171938Z
LAST-MODIFIED:20230224T175443Z
UID:10000501-1674864000-1679270399@pubpronetwork.org
SUMMARY:Book Positively Charged: Copier Art in the Bay Area Since the 1960s
DESCRIPTION:San Francisco Center for the Book and San Francisco Public Library join forces to present a retrospective look at the role the color copier played in avant-garde art movements in the Bay Area. Positively Charged: Copier Art in the Bay Area Since the 1960s comprises a single exhibition across two venues that explores the histories of several significant arts organizations and artists in San Francisco and the Bay Area through the lens of the copier art they produced.
URL:https://pubpronetwork.org/event/book-positively-charged-copier-art-in-the-bay-area-since-the-1960s/
LOCATION:San Francisco Public Library\, Koret Auditorium
CATEGORIES:Events
ORGANIZER;CN="San Francisco Center for the Book":MAILTO:info@sfcb.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230128T130000
DTEND;TZID=America/Los_Angeles:20230128T160000
DTSTAMP:20260414T100639
CREATED:20221206T224919Z
LAST-MODIFIED:20221206T224921Z
UID:10000422-1674910800-1674921600@pubpronetwork.org
SUMMARY:Becoming Your Own Publisher: Advice\, Tips and Pitfalls/Self-Editing Your Work
DESCRIPTION:We are slowly but surely beginning to incorporate live events into our schedule. January is traditionally Self-Pub month. We have asked Janet Dawson\, Peggy Lucke\, and Michael Nava to join MWA NorCal for a panel discussion on setting up your own publishing house. We will ask them to weigh in on the pros and cons (if any) of being their own jack of all trades. As a natural follow-up to this discussion\, Laurie R. King and Zoe Quinton are going to discuss self-editing your material. If you’re going to self-publish\, learning the finer points of self-editing is a must.
URL:https://pubpronetwork.org/event/becoming-your-own-publisher-advice-tips-and-pitfalls-self-editing-your-work/
LOCATION:Rockridge Library\, 5366 College Avenue\, Oakland\, CA\, 94618\, United States
CATEGORIES:Author Events,Editors Events,Events,Professional Development
END:VEVENT
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